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    Tadao Ando perfectly buries the entire building beneath the hillside, leaving only geometric courtyards and skylights exposed. Walking through the stark geometric lines of the exposed concrete, everything is illuminated solely by natural light flowing freely with the time of day and the weather.
    When I stepped into the Monet Water Lilies gallery, the pure white floor beneath my feet—made of tens of thousands of small marble pieces—and the natural light pouring down from above made the paintings, the space, and nature feel completely unified. It was so breathtaking I almost held my breath.
    This is not just a place to look at paintings, but a profound dialogue between the body, space, light, and shadow.

Other Reviews by Skimuraki Zin