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  • The National Art Center, Tokyo

    This museum has no art collection of its own, instead it hosts various exhibitions featuring art from both within Japan and from abroad.

    • Akasaka, Roppongi, Azabu-Juban
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    One of the signature works designed by the late Japanese master architect Kisho Kurokawa. Its architectural design skillfully combines natural aesthetics with modern technology, creating a space that feels deeply calming and visually striking.

    A Museum in the Forest: The museum is surrounded by abundant plants and trees, with a design concept emphasizing “Co-existence with nature.”

    Undulating glass curtain wall: the flowing poetry of nature

    The National Art Center, Tokyo perfectly blends the transparency of light, the fluidity of curves, and the surrounding natural greenery. Whether on an afternoon bathed in sunlight or at dusk when the interior lights reflect through the glass, the building displays spatial aesthetics at their finest and a calming power that brings a sense of peace.

  • Roppongi Hills

    This multipurpose commercial complex opened as a Roppongi landmark in 2003. In the middle of Roppongi Hills stands Mori Tower, a 54-story skyscraper office building rising 238 meters from the ground.

    • Akasaka, Roppongi, Azabu-Juban
    • Commercial Buildings
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    Roppongi's winter illuminations are one of Tokyo's most iconic Christmas attractions, mainly divided into two areas: Roppongi Hills and Tokyo Midtown.
    1. Roppongi Hills
    Keyakizaka: The classic “Snow & Blue” display features a 400-meter-long sea of silver-white and blue lights.
    Best photo spot: The pedestrian bridge over Keyakizaka Street, where you can capture both the tunnel of blue lights and Tokyo Tower in the center.
    Dates and hours: Early November through December 25 each year, 5:00 p.m.-11:00 p.m.
    Christmas market: Held at O-YANE PLAZA at Mori Tower, this is Tokyo's oldest German-style Christmas market, selling hot mulled wine and Christmas decorations.

    2. Tokyo Midtown
    Walkway of Lights: Around 320,000 gold LED lights create a romantic golden corridor. Illuminations in some areas continue through the end of February the following year.
    Outdoor ice rink: Usually open in the garden area during the illumination event, it is one of Tokyo's largest outdoor ice-skating rinks.
    Dates and hours: Mid-November through December 25 each year, 5:00 p.m.-11:00 p.m.

  • Shinjuku i-LAND

    Located in the skyscraper district of Nishi-Shinjuku, Shinjuku i-LAND is an area ripe with urban functionality, including offices, shops, residential areas, schools, and plazas, all centered around the 44-story skyscraper “Shinjuku i-LAND Tower.”

    • Shinjuku, Okubo, Yoyogi, Yotsuya
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    Although it is located at the intersection on the west side of the Shinjuku Overpass (Shinjuku Ōgādo), it is more than just a support structure for traffic signs—it is a multifunctional architectural installation that combines traffic lights, streetlights, and an urban landmark.

    Highlights of the Nishi-Shinjuku Sign Ring:
    Core function: To improve the streetscape and consolidate the previously cluttered wires and signs, the ring suspends traffic lights, streetlights, and various traffic signs from a circular beam measuring 54 meters in diameter.
    Design specifications: The ring is suspended about 15 meters above the ground and was designed as a symbolic “gateway” to the skyscraper district of Shinjuku’s subcenter.
    History: It was completed in 1991 as part of the “Intersection Gateway Project” (Kōsaten Gate Keikaku).
    Location: It is located at the Shinjuku Ōgādo West intersection, a major traffic junction connecting Ōme Kaidō and the west exit of Shinjuku Station.

    Because of its highly futuristic appearance, this circular structure often appears in photography, movies, and anime scenes related to Tokyo or Shinjuku (such as Your Name).

  • Tokyo Metropolitan Government Building Observation Deck

    The Tokyo Metropolitan Government Building, located in Shinjuku, is Tokyo’s centralized administration complex, comprised of three buildings: the First Main Office Building, the Second Main Office Building, and the Metropolitan Assembly Building. The First Main Office Building is home to a 45th floor Observation Deck, which is accessible by dedicated elevator on the 1st floor. In just 55 seconds the dedicated elevator will whisk you into the skies, to a height of 202 meters above ground and the sprawling view of Tokyo below.

    • Shinjuku, Okubo, Yoyogi, Yotsuya
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    The Tokyo Metropolitan Government Building, located in Shinjuku, is a top free spot for panoramic views of the Tokyo skyline.

    🏙️ Observation Deck Information (45th Floor)
    The Tokyo Metropolitan Government Building has a South Observation Deck and a North Observation Deck, both accessible by dedicated elevators from the 1st floor of the First Main Office Building.

    Hours: Usually 9:30 a.m.–10:00 p.m. (last admission at 9:30 p.m.).
    Note: The operating hours of the South and North Observation Decks may alternate, so it is recommended to check the Tokyo Metropolitan Government's official website or X (formerly Twitter) for real-time updates before visiting.
    View highlights: On clear days, you can see Mount Fuji, as well as Tokyo Tower, Tokyo Skytree, and the Shinjuku skyline.
    Reservations and admission: Free admission and no reservation required. Bags must be inspected before entry.

    🎨 Nighttime Only: Projection Mapping Show (TOKYO Night & Light)
    The exterior of the Tokyo Metropolitan Government Building features the world's largest architectural projection mapping show, certified by Guinness World Records:
    Showtimes: Begins every night at 6:00 p.m. (or 6:30 p.m., depending on the season), with a show every 30 minutes. Each show lasts about 15 minutes, and performances continue until 9:30 p.m.
    Viewing location: Tomin Hiroba (Citizens' Plaza), directly in front of the Tokyo Metropolitan Government Building.
    Special shows: Limited-time themes, such as Godzilla or Pokémon, are often featured on weekends.

    🍱 Hidden Experience: Staff Cafeteria (32nd Floor)
    If you visit during the daytime on a weekday, I recommend eating at the staff cafeteria on the 32nd floor. The food is reasonably priced and the views are beautiful. General visitors can enter by registering on the 1st floor and receiving a temporary pass, giving them a glimpse into the daily lives of Japanese government employees.

  • Kobe Port Tower

    Rising over Kobe Harbor, this port tower is known as the “Beauty of the Iron Tower” for its graceful hyperboloid shape-like an elongated drum-and its vivid red exterior. Loved by locals as a symbol of Kobe since its debut in 1973 (1963), it reopened after Approx. 2.5 years of seismic reinforcement and renovation, with a grand renewal in April 2024.

    • Kobe
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    Located in the Shinko Pier No. 1 area of Kobe Port, the Kobe Port Museum is a cultural complex that includes átoa, a space combining an aquarium and digital art. The high-rise building behind it with the famous smiling-face logo is Stage Felissimo, the headquarters of the well-known lifestyle goods brand FELISSIMO.
    I. Architectural design features of the Kobe Port Museum
    * Biomimicry and geological imagery of “uplifted earth”
    * The texture of fractured earth: Rather than the smooth glass curtain walls commonly seen on commercial buildings, the exterior is designed to resemble enormous, rugged layers of concrete rock. Its jagged, V-shaped geometric fractures symbolize faults and rock strata that have been “uplifted” to the surface by crustal movement and tectonic pressure in nature.
    * Waterjet Wash method: After pouring the concrete, the architectural team at Taisei Design used high-pressure water to wash away the surface cement, exposing the aggregate made with local soil and stone that was mixed into the concrete from the first floor to the top floor. This gives the building natural textures and a primal vitality, as if it had been eroded by sea winds and formed through layers of geological deposits over thousands of years.
    * The interplay of nature, light, and nature
    * The open rooftop garden and geometric openings above the building allow sunlight to pour into the interior, blending the harbor scenery, water—the átoa aquarium—and imagery of rocky strata. This gives the cold modern building materials an organic quality, like “breathing rock.”
    II. The significance of rebirth after the 1995 Great Hanshin Earthquake
    The Great Hanshin Earthquake that struck on January 17, 1995, devastated the port city of Kobe. At the time, Kobe Port’s wharf facilities, foundations, and historic buildings suffered tremendous damage. The construction of this building in the port area carries profound symbolism of “rebirth”:
    * Confronting and transforming the trauma of the earth’s crust
    * The earthquake is a painful memory caused by movement along faults in the earth’s crust. The Kobe Port Museum openly uses “faults,” “uplifted earth,” and “torn rock strata” as its architectural vocabulary, symbolizing how “the city rises again from the trauma of the earth’s shaking and is reborn from the faults.”
    * From devastated ruins to “new life through culture and art”
    * The Shinko Pier area of Kobe Port, once severely damaged, was formerly dominated by industrial warehouses and logistics wharves. As part of Kobe Port’s redevelopment plan, this complex bringing together art, marine life at átoa, food, and culture marks the port area’s transformation from its traditional industrial functions and the shadow of the earthquake into a new-era living room filled with creativity, aesthetics, and vitality.
    * Resilience through harmonious coexistence between people and nature
    * The people of Kobe showed tremendous resilience after facing such a massive natural disaster. The building deliberately gives its concrete surfaces a naturally rugged texture and plants trees and greenery on the rooftop, symbolizing that “even after the earth splits apart, life and greenery can still sprout and flourish again through cracks in solid rock.” It embodies the unyielding spirit of the city of Kobe.

    Port of Kobe Earthquake Memorial Park: The damaged wharf has been preserved as it was after the 1995 Great Hanshin Earthquake, serving as a historical record and memorial.
    Public art and sculptures: Several modern artworks are scattered throughout the park, including the “Fish Dance” sculpture designed by Philip Johnson.
    Waterfront walks and coffee: It is very relaxing to stroll along the seawall promenade in the sea breeze or enjoy coffee at the nearby Starbucks.
    Nearby facilities
    Kobe Harborland: A large nearby commercial district with shopping malls, restaurants, and a Ferris wheel, where you can also shop and dine.

  • Hyogo Prefectural Museum of Art

    An art museum located in HAT Kobe in Kobe, Hyogo Prefecture. Opened in 2002 as a symbol of cultural recovery from the Great Hanshin-Awaji Earthquake, it is known for its architecture by architect Tadao Ando and its collection of modern and contemporary art from Japan and abroad.

    • Kobe
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    In Tadao Ando's architectural designs, the “spiral” is an important element, especially in the Circular Terrace at the Hyogo Prefectural Museum of Art.
    The spiral design of the Hyogo Prefectural Museum of Art
    Circular Terrace/spiral staircase: This is one of the museum's signature features, connecting the underground parking lot, the first-floor entrance hall, the gallery wing, and the second-floor outdoor space.
    Spatial experience: This open spiral design is more than just a passageway; it is also an architectural statement. As visitors walk along the stairs, they can experience the rich spatial layers created by light and shadow changing over time and feel the connection between the architecture and the views of the sea and mountains.
    Geometry, light, and shadow: Tadao Ando is skilled at using simple geometric forms, such as circles and squares, and exposed concrete, combining them with natural elements such as light, wind, and water to create a unique sense of space. The spiral staircase embodies fluidity and connectivity, blending form and function.
    Other notable spiral designs
    In addition to the Hyogo Prefectural Museum of Art, Tadao Ando has also used spiral designs elsewhere:
    He Art Museum (Shunde, China): The building is based on stacked circular discs, with a pair of double-helix staircases at its core resembling the structure of DNA. Natural light pours in through the central atrium, creating a sense of sacredness.
    Through these spiral designs, Tadao Ando challenges the static geometry of traditional architecture, pursues dynamic balance, and creates rich, multilayered spatial experiences.

  • Meguro River

    The Meguro River flows through the Setagaya, Meguro, and Shinagawa wards of Tokyo until it reaches Tokyo Bay.

    • Nakameguro, Daikanyama
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    The architectural style of Meguro Catholic Church (St. Anselm's Church) is an outstanding example of postwar modernist architecture in Japan, and it was also selected as one of the “250 Selections of Modern Movement Architecture in Japan.” Its defining feature is its revolutionary use of materials and structure:
    1. Folded-Plate Construction
    This is the church’s most distinctive feature. Architect Antonin Raymond dispensed with traditional beams and columns, instead using nine pairs of exposed-concrete folded plates bent at 45-degree angles to support the roof and walls. This structure not only strengthens the building but also gives the interior a geometric rhythm resembling an accordion.

  • Nihonbashi

    Nihonbashi is located in the northern part of Chuo-ku, Tokyo. The name "Nihonbashi" comes from the bridge built across a canal in 1603, and the year Tokugawa Ieyasu established the Edo shogunate.

    • Tokyo Station, Nihonbashi, Marunouchi
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    “The Wings of the Kirin at Nihonbashi” has significance on two main levels: first, the bronze kirin statue standing in the center of Nihonbashi Bridge in Tokyo; and second, the classic novel and film adaptation of the same name created by renowned Japanese mystery writer Keigo Higashino, using this statue as a symbol.

    Historical and Cultural Background

    1. The starting point of Japan’s roads: During the Edo period, Tokugawa Ieyasu designated Nihonbashi as the starting point of the “Five Routes” (including the Tokaido and Nakasendo). Today, the “Japan National Road Origin Marker” monument still stands at the bridge, symbolizing the starting point of Japan’s entire highway network.
    2. Why does the kirin have wings?: The legendary kirin originally had no wings. However, when Nihonbashi was rebuilt as a stone bridge in 1911, the architect and sculptor specially added a pair of wings to the bronze kirin statues in the center of the bridge (strictly speaking, the design combines fins and wings), expressing the prosperous hope of “taking flight from the starting point of Japan’s roads and spreading throughout the country.”

  • Nihombashi Mitsukoshi Main Store

    Since its beginning in 1673 as a kimono store, Echigoya, Nihombashi Mitsukoshi Main Store has built its history for 350 years as the face of Nihombashi area. It was announced to become a department store in 1904 as the first in Japan.

    • Tokyo Station, Nihonbashi, Marunouchi
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    The golden Western deity sculpture above the front main entrance (Lion Entrance) of the Nihombashi Mitsukoshi Main Store is a statue of **Mercury (Roman mythology)**, also known as **Hermes** in Greek mythology.
    Below is a detailed explanation of its meaning and the background of its designer:
    ### 1. What does this statue represent?
    * **Guardian deity of commerce and wealth:** In mythology, Mercury is the god who presides over **commerce, trade, travel, luck, and wealth**. As one of Japan’s premier temples of commerce, Mitsukoshi Department Store placed him above its main entrance primarily to pray for **“prosperous business” (commercial prosperity and thriving trade)**.
    * **Depiction of mythological features:** If you look closely at the statue, you will notice that he has Mercury’s three classic attributes:
    1. **Winged hat (Petasos):** He wears a round traveler’s hat with wings on his head.
    2. **Winged sandals (Talaria):** The sandals on his ankles have golden wings, representing great speed.
    3. **Caduceus:** In his left hand, he holds a winged staff entwined by two snakes, a symbol of commerce and peace.
    ### 2. Who designed it?
    * **Original artist:** **Giovanni da Bologna (also known as Giambologna)**, a master court sculptor of the late Italian Renaissance (Mannerist period).
    * **Origin of the statue:** This statue is an **official, finely crafted, full-scale replica** modeled after Bologna’s classic bronze Mercury statue created in **1598**, which is now housed in the Bargello Museum in Florence, Italy.
    * **Year installed:** In **1923 (Taisho 12)**, when construction and renovation of the Mitsukoshi Main Building was completed, the department store placed this iconic Western god of commerce above the front entrance. Together with the bronze lion statues on either side of the entrance, it became a classic landmark guarding Nihombashi Mitsukoshi.

  • Tottori Sand Dunes

    Located on the Sea of Japan side of Tottori City in Tottori Prefecture, the Tottori Sand Dunes stretch 16 km from east to west and 2.4 km from north to south, making them one of the largest dune systems in Japan. These dunes, designated as a special protected area and a Natural Monument of Japan, are a major tourist attraction representing Tottori Prefecture.

    • Tottori
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    When visiting Tottori, the Tottori Sand Dunes are a must. Located within the San'in Kaigan Geopark, the dunes stretch 2.4 kilometers from north to south and 16 kilometers from east to west, making them Japan's largest coastal sand dunes.
    The beautiful wind patterns formed by the Sea of Japan winds and the dune sand are mesmerizing.
    Like a staircase leading to the sky! Takahama Cafe, designed by Kengo Kuma at the Tottori Sand Dunes
    Takahama Cafe was built to celebrate the 60th anniversary of the Tottori Sand Dunes Kaikan. The building is angled at 17 degrees and resembles a wooden staircase leading to the sky. It also embodies master architect Kengo Kuma's three concepts of “negative architecture,” “stacking,” and “blending with the environment.” Locally sourced cedar was used and combined with earthquake- and fire-resistant cross-laminated timber (CLT) and reinforced concrete construction.
    And from the small hill known as “Horse's Back,” you can enjoy a spectacular panoramic view of the Sea of Japan.

Hokkaido Tohoku Kanto Chubu Hokuriku Kansai Chugoku Shikoku Kyushu Okinawa